One of the most iconic scenes in cinematic history receives a thorough examination and analysis in Alexandre O. Philippe’s intriguing yet overlong documentary 78/52. The film’s title refers to the 78 camera set-ups and 52 cuts which Alfred Hitchcock used to capture the infamous shower scene in Psycho. Assigning a full 7-days of a 30-day schedule to filming the short sequence, Janet Leigh’s brutal murder in the shower at Bates…
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