Waves begins with a dazzling 360-degree spin inside Tyler’s (Kelvin Harrison Jr.) car as he drives with one leg dangling out of the window while singing along to the radio with girlfriend Alexis (Alexa Demie). It’s a beautifully choreographed moment that captures the sparkling chemistry between these young lovers. It’s immediately clear we are in the hands of a filmmaker brimming with ideas and stylistic verve. Trey Edward Shults’ overwhelmingly moving and sumptuously filmed third feature cements him as one of the most thrilling directors working today.
In his new historical drama The Current War, director Alfonso Gomez-Rejon (Me and Earl and the Dying Girl) charts the destructive rivalry between inventors Thomas Edison (Benedict Cumberbatch), George Westinghouse (Michael Shannon) and Nikola Tesla (Nicholas Hoult) as they battle it out to see whose electrical system will illuminate America.
Chadian director, Mahamat-Saleh Haroun offers us a necessary and political insight into asylum, Europe and family ties. From Bangui to Paris, brothers Abbas (Eriq Ebouaney) and Etienne (Bibi Tanga) escape their country where they both worked as teachers to a new life in a country where they must take jobs as grocers and security guards. Abbas struggles to let go of his old life, speaking to the ghosts of his past but with his son (Ibrahim Burama Darboe) and daughter (Alayna Lys) in tow, he must make ends meet.
An insular tale of life in space, High Life gives Claire Denis’ dark, explorative filmmaking the zero gravity treatment. Abandoned and shunned by society, a group of death row inmates are sent to space, their goal to capture and record a black hole’s rotating energy, essentially, a suicide mission.
A group of friends, a cabin in the middle of nowhere and shit phone reception can only mean one thing; this film is unlikely to end well.
Post-Fleabag withdrawal will have Andrew Scott admirers chomping at the bit for another heavenly performance, cue Simon Fellows’ new thriller Steel Country set in Pennsylvania’s backwaters, adorned with Trump propaganda, American flags and water towers. There’s no mistaking what country we’re in as sanitation worker Donald Devlin (Scott) begins an obsessive investigation following the death of a local boy.
When Asraf Marwan fell to his death from a balcony in London in 2007 his secrets died with him too. Hailed as the best spy of the 20th Century, Egypt-born Marwan who after marrying Mona Nasser, daughter of President Nasser eventually moved to London to pursue his Masters in Chemistry. Marwan is considered as a hero and one of the world’s greatest modern spies by both Egypt and Israel, but questions still remain as to whether his loyalties lay solely with Egypt or if he was also aiding Israel.
Director Joaquín Cambre’s debut feature A Trip to the Moon (Un Viaje a la Luna) is an otherworldly coming-of-age film that follows Tomas (Ángelo Mutti Spinetta) as he navigates his way through life and ultimately, through space. A unique family drama coupled with nuanced performances is certainly something audiences wouldn’t have seen before, but there might be a reason for that.
Belgian director Lukas Dhont’s debut feature, Girl, although a critical success in the festival circuit, hasn’t been without its controversy. On the run up to the film’s release, Dhont has fought to defend his trans coming-of-age film in which critic, Oliver Whitney described as “the most dangerous movie about a trans character in years.”
Nestled on the outskirts of Nepal’s capital sits Snowland Ranag Light of Education School, a non-profit educational organisation committed to providing education to children of remote Himalayan villages. Founded by Guru Ranag Tulkhu Rinchin Rinpoche in 2001, Snowland has been supporting Nepal’s children from early childhood into their teens. Marcus Stephenson and Zara Balfour’s documentary Children of the Snow Land follows three students as they journey back home to see and speak to their families for the first time in twelve years.