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Category: Horror

Film Review: Truth or Dare

Reviewed by Lee Hill

Truth or Dare is such a bland, albeit efficient horror genre retread that its only conceivable raison d’etre is to keep risk averse mid-level studio executives employed. Entering a market that has been rejuvenated by the likes of Get Out, It Follows and A Quiet Place, this film deserves to get beaten to death at the box office and exiled to a remote corner of streaming portal hell.

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Film Review: Ghost Stories

Reviewed by Tom Rowley

BBC’s The League of Gentlemen was a hilarious pastiche of comedy stories that, at heart, had an endearing love for the hammer-horror genre. So it’s fitting that one of the show’s creators, Jeremy Dyson, has co-written and co-directed with Andy Nyman, a movie reminiscent of a Vincent Price platform, tying together horror vignettes throughout a mysterious overarching narrative. In his latest project, Ghost Stories, the horror-to-comedy ratio of The League of Gentlemen has been reversed to great effect. Genuine terror with a heart of theatrical comedy, Ghost Stories is born of the same formula Dyson has been working with since Royston Vasey first tormented our screens with exploding pets in 1999. But in his 2018 project, the screams far outweigh the laughs.

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Ghost Stories: Interview with Andy Nyman & Jeremy Dyson

Ahead of the special screening of Ghost Stories at the Horror Channel Frightfest Glasgow 2018 event, writer / director team Andy Nyman & Jeremy Dyson discuss their special relationship, the film’s journey from stage to screen and no, they don’t believe in ghosts…

Ghost Stories receives it’s Scottish Premiere at FrightFest Glasgow 2018. Excited?

We are beyond excited! It is honestly a dream come true.

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Film Review: 78/52

One of the most iconic scenes in cinematic history receives a thorough examination and analysis in Alexandre O. Philippe’s intriguing yet overlong documentary 78/52. The film’s title refers to the 78 camera set-ups and 52 cuts which Alfred Hitchcock used to capture the infamous shower scene in Psycho. Assigning a full 7-days of a 30-day schedule to filming the short sequence, Janet Leigh’s brutal murder in the shower at Bates Motel is renowned as one of the most bold, shocking and influential scenes dedicated to film. 78/52 extensively explores every aspect of the sequence from its context, construction, and impact.

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Guest Post: David Mcalmont’s Horror Picks

Favourite ten horror movies of the last ten years?

Ah, the good old days: younger, more afraid, less jaded; staying up to participate in the pleasure mum took in those vintage horror classics once purveyed by Hammer and RKO pictures. Knowing who Bela, Boris, Christopher, Lon, Peter and Vincent were, by the age of ten.

Often disappointed with how un-scary some films turned out to be; wanting to be spooked witless. Titles that promised so much, but in execution seemed tame. Not much in the way of cowering behind the sofa at that age; plenty of, “Is that it?” And yet there was enough intrigue to ensure that I would remain a horror devotee into adulthood; a true believer.

In Joseph L Mankiewicz’s All About Eve, the character Addison de Witt describes a moment in the theatre – the arrival of a great star – for which all true believers wait and pray. Year by year, waiting patiently for the next great horror. A rare thing these days when taste-makers are less convinced that they can get bums on seats with the supernatural; viewing monstrous violence and vulgar CGI as better box office guarantors. On occasion, it behoves horror fans to be more creative in their thinking.

 

These movies enthralled me on first viewing, and did the same on subsequent viewings.

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FrightFest: Interview With Damien Leone

Ahead of the UK premiere of his latest film Terrifier at the Horror Channel Frightfest Halloween event on Sat 23 Oct, director Damien Leone talks about the ’Art’ of extreme clowning, his debt to Tom Savini and a terrifying Halloween experience.

Art The Clown initially appeared in your 2008 short The 9th Circle, then the 2011 award-winning short Terrifier and in your first feature All Hallow’s Eve. What made you decide to give him a fourth outing?

DAMIEN: Up until this point I never felt like I fully showcased Art’s potential. I believe between the short films and All Hallows’ Eve, there only exists about 20 minutes of Art the Clown screen time. For a character who’s done so little, he seems to really resonate with horror fans. After all of the positive feedback, a full length film that focused solely on Art was inevitable. 

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