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Category: Noir

Film Review: ANON

Reviewed by Zoe Margolis

Shot in a monochromatic, desaturated style, ANON offers a dulled vision of a near-future where no one has any secrets, or privacy. Unlike now, where people voluntarily upload personal information to social media platforms (or involuntarily, as is the case with Cambridge Analytica’s exploitation of Facebook content), citizens of this society appear to have no choice as to how their data is accessed. Instead of mobile devices capturing events, human beings have biological computer implants – a “Mind’s Eye” – which work as personal video recorders, enabling others to witness their point of view (POV), similar to Strange Days’ S.Q.U.I.Ds. In ANON this happens without the use of external equipment: the brain itself has become a shareable hard drive. Whilst this means people can return to any moment of their life that they wish to, the recording of every millisecond is downloaded to a vast grid called The Ether which law enforcement can access, so nothing anyone does or says is private.

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Gemini – LFF 2017 Review

Gemini makes the most of its low budget and largely unknown cast thanks to its Los Angeles setting and neo-noir storyline. This is Aaron Katz’s fifth feature and it deserves to be the film that breaks him out of the film festival ghetto his work has largely circulated in.

Lola Kirk is Jill, the wise, long suffering assistant to Zoe Kravitz’ Heather Anderson, a young star whose mercurial temperament makes the life of her agent, lawyers and directors hell. She needs some “Me” time with her secret girlfriend, Tracy, played by Greta Lee and has turned down a juicy film role. Something goes horribly wrong during this critical moment and Jill finds Heather gunned down in her cooler than thou Riad-style house in the Hollywood hills. Jill is now the prime suspect of the investigating detective, portrayed with urbane calm by John Cho.

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