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Author: Linda Marric

Linda Marric (@Linda_Marric) is a freelance film journalist and interviewer. She has written extensively about film and TV for The London Economic, HeyUGuys, FilmLand Empire, DMovies.com and her own film blog screenwords.co.uk. After graduating with a degree in Film Studies from King's College London, she worked in post-production on a number of film projects and had a short stint working at the BFI London Film Festival. She has a huge passion for intelligent Sci-fi movies (think Phillip K Dick adaptations). Her favourite movie of all time is still Brazil almost 30 years after watching it for the first time.

Screenwords Meets The Makers Of Mansfield 66/67

Interviewed by Linda Marric

We speak to P. David Ebersole and Todd Hughes, the married couple behind the intriguing new documentary about Hollywood camp legend Jayne Mansfield.

One of the most talked about stars of the classical Hollywood era, Mansfield was at one time as famous and as sought after as Marilyn Monroe. Regarded by many as one of the most recognisable sex symbols of the studio era, Mansfield had it all, fame, money and a solid Twentieth Century Fox contract, but it was her dealings with infamous Church Of Satan leader Anton LaVey and her consequent violent death in a car accident which has turned the former starlet into the stuff of legend. In their film Mansfield 66/67, directors  P. David Ebersole and Todd Hughes attempt to get behind the legend  and the legacy she left behind.

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Review: Every Day

Reviewed by Linda Marric

Michael Sucsy’s film about a teenage girl who falls in love with someone who transforms into someone else every day, is a charming, beautifully crafted and hugely engaging millennial love story with a twist.

Based on David Levithan’s novel of the same name and from a screenplay by Jesse Andrews, Every Day offers a heart-warming tale of love, acceptance and teenage angst without ever falling into the overly saccharine.

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Trailer: Hereditary

Check out the new trailer for the upcoming Horror sensation Hereditary. The film is release on June 15th and stars Toni Collette as a mother whose family begins to unravel when cryptic and increasingly terrifying secrets about their ancestry are revealed. The more they discover, the more they find themselves trying to outrun the sinister fate they seem to have inherited as it slowly destroys everything around them. Making his feature debut, writer-director Ari Aster unleashes a nightmare vision of a domestic breakdown that exhibits the craft and precision of a nascent auteur, transforming a familial tragedy into something ominous and deeply disquieting, and pushing the horror movie into chilling new terrain with its shattering portrait of heritage gone to hell.

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Ghost Stories: Interview with Andy Nyman & Jeremy Dyson

Ahead of the special screening of Ghost Stories at the Horror Channel Frightfest Glasgow 2018 event, writer / director team Andy Nyman & Jeremy Dyson discuss their special relationship, the film’s journey from stage to screen and no, they don’t believe in ghosts…

Ghost Stories receives it’s Scottish Premiere at FrightFest Glasgow 2018. Excited?

We are beyond excited! It is honestly a dream come true.

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BFI FLARE: Five Must See Films

With the 32nd Edition of the BFI LGBTQ Film Festival opening on the 21st March, what better time than to take a look at some of the most eagerly awaited films in this year’s programme, and shine a light on the films we are most looking forward to catch. 

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Oscars 2018: Live Blog

Follow our live blog and find who won what as the night progresses.

You can have a look at all of the nominees we have reviewed,  the Screenwords predictions, and all of our writers’ “best of 2017” thoughts meanwhile.

And of course @screen_words and founding editor @linda_marric will be on Twitter into the small hours.

Winners in bold.

Best Picture:

Call Me by Your Name
Darkest Hour
Dunkirk
Get Out
Lady Bird
Phantom Thread
The Post
The Shape of Water
Three Billboards Outside Ebbing, Missouri

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Film Review: A Fantastic Woman

Reviewed by Linda Marric

A few films have managed to garner the kind of good will directed at Chilean filmmaker Sebastián Lelio’s brilliantly well observed feature A Fantastic Woman. Nominated for a foreign language Oscar at this weekend’s Academy Awards, the film offers a wonderfully complex, engaging and thoroughly affecting account of a young trans woman’s battle against preconceived ideas about gender and sexuality in a traditional latin society. Staring transgender actress Daniela Vega in the principle role, A Fantastic Woman is as innovative in its story telling as it is tender in its dealings with issues relating to grief and loss. 

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