Reviewed by Lee Hill
The reissue of the rarely seen 1971 film, The Touch, Ingmar Bergman’s first collaboration with an American studio, is part of a retrospective now playing at the British Film Institute until the end of March. Whether seen separately or with other Bergman films (the BFI is also promoting Persona, The Seventh Seal and The Magic Flute), The Touch, despite its problematic history, confirms the director’s reputation as a compassionate, albeit unsentimental explorer of men and women in intense states of joy, despair, loss, love, hope and grief.
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