A claustrophobic close-up of a body, the light bouncing off the skin of an unidentified figure. This is how the film introduces us to Marvin, an aspiring actor and someone whose work is directly influenced by his upbringing. Anne Fontaine’s coming out film has its feet planted both in Marvin’s past and his present. We’re instantly thrust into his childhood and school-life as he struggles with homophobia, sexual abuse and his dawning homosexuality in working class small-town, Vosges.
Comments closedTag: Grégory Gadebois
Nadia Bee talks to director Michel Hazanavicius about his latest film Redoubtable.
A cheerfully iconoclastic film, Michel Hazanavicius’s Redoubtable has provoked both ire and delight. Jean-Luc Godard is considered such a key figure in both European culture and political history that to treat him with levity is outrageous to some, and just deserts to others. Hazanavicius has said that critical responses have, at times, been as if he’d peed on the Sistine Chapel.
The late 1960s marked a turning point in Godard’s career as a filmmaker. He was already well-known for his brilliantly innovative approach to film form, and for his political engagement. He then took film form much further, with his 1967 film La Chinoise – an adaptation of Dostoyevsky’s novel The Possessed. It starred his then wife, Anne Wiazemsky. Wiazemsky had been Robert Bresson’s muse, and acted in his film – held by some to be the greatest film of all time – Au Hasard Balthazar (1966). While still very young, she was already a person of note in France, in her own right.
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