Jasmine Hyde talks to Screenwords about her experience of working on the small intimate production of psychological thriller The Unseen, what it was like to come across a script with a strong female lead, and about her time as a satanic nun filming Neil Gaiman’s Good Omens.
What initially drew you to the role?
JH: I read the script about 18 months ago when the director, Gary, who I’d previously worked with in theatre gave me a couple of scripts. I read it and thought that’s a very dark, intriguing story and that Gemma’s a cracking part. A few months later Gary said he was going to do a little pilot. It was only a couple of day’s commitment so I thought, why not. Then when he said he was going to make the film, I said yes, because parts like this don’t really come along that often. So many leads are men, so it’s a bit of a refreshing change. I also thought, my God, she has to go through some stuff and that will be quite interesting, and fun. I use the term fun quite loosely, but you know what I mean.