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Author: April McIntyre

Film Review: Terminal

Reviewed by April McIntyre

Director Vaughn Stein has put his own spin on the classic genre in his gritty, neo-noir, Terminal. Margot Robbie heads up this impressive cast, which includes Mike Myers, Simon Pegg and Dexter Fletcher. Aesthetically Terminal does what a neo-noir should do; the chiaroscuro lighting, the anonymous big city, blaring neon lights and a deadly and seductive femme fatale. Unfortunately, that is where it stops and there’s only so far the superficial can take us until our interest begins to wane. Stein does, however keep the audience watching with various loose ends running through the narrative waiting to be tied. Several large twists present themselves, where one would suffice. The film promptly leaves noir territory and settles comfortably into a more routine and predictable Hollywood thriller narrative, that even its hardboiled script fails to anchor in its desired genre.

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Film review: Ryuichi Sakamoto: Coda

Reviewed by April McIntyre

“The world is full of sounds” utters Ryuichi Sakamoto, as he sits, listening intently beneath a canopy of trees. The subject of Coda, an acclaimed actor and composer reveals not only his sound-making process but his own worldview and the influence of an ever-changing society on his work.

The documentary, five years in the making is as meditative and as emotional as its subject. We’re introduced to Sakamoto tinkering, almost child-like on a surviving piano of the 2011 Tsunami. Consumed with inquisitiveness, excited to hear the sound of something that he describes as being bent and tuned by nature.
Director, Stephen Schible creates a fascinating balance between the personal and the candid as the film follows the composer with limited interaction and only intermittent nods to the camera. Schible uses Sakamoto’s sound creation, stunning vistas and old footage to piece together everything that makes the subject one of the most imaginative and daring contemporary composers alive today.

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