It’s been well over a decade since Brit filmmaker Thomas Clay’s last release. Back in the 2000s, Clay impressed on the film festival circuit with the likes of Soi Cowboy and The Great Ecstasy of Robert Carmichael, two disparate films that were as impressively directed as they were hard to watch. By 2016 he was ready to return, writing and directing a story set in 18th century Shropshire, and while…
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