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Category: Festivals

FrightFest Film Review: 3rd Night

The dark opening sequence hangs heavily over the rural idyll shown in 3rd Night. Somewhere between B-movie and video nasty, a little girl is running around the woods, with the industry standard grisly event; but the soundtrack is brilliantly disturbing and unearthly, and the pace is well-judged. The nursery rhyme the child is singing drives everything else that unfolds in this movie.

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FrightFest: Radius

Making its European premiere at this year’s Horror Channel Frightfest, Radius is a new horror scifi feature directed by Caroline Labrèche and Steeve Léonard. Although offering an intriguing premise and a genuinely promising storyline, the film sadly fails to live up fully to  expectations, but don’t let that put you off too much, because there is plenty more to like in this ambitious production which is likely to please genre and indie fans alike.

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Film Review: A Ghost Story

Once in a while a film comes along which affects you in more ways than you could have ever imagined. Heralded by some as one the best movies to come out of Sundance this year, David Lowry’s A Ghost Story is an incredibly well executed exercise is subtly and an engenoius masterclass in clever filmmaking. Centring around ideas of loss, legacy and the need for human connection, the film is sure to leave its audiences stunned and in awe of its simple yet highly effective premise. Written by Lowry himself and staring Casey Affleck and Rooney Mara, A Ghost Story never resorts to predictable tropes nor does it go out of its way to alienate its audiences with an overly complicated narrative arc. Lowry’s ability to normalise allegory and symbolism is a testament to his sublime writing credentials.

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Sheffield Documentary Festival: Are We Scared Of The Word “Documentary?”

(Twitter: @maysamoncao) For a filmmaker, documentary filmmaking is probably the hardest medium. Try uttering the word “documentary” to an investor and he will probably shut all doors…

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Sundance London 2017- Dina. Dir: Dan Sickles & Antonio Santini

  It’s a credit to Dogwoof and their impressive output that they have yet to release a single film this year that could be considered below par.…

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