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Category: FrightFest

Arrow Video FrightFest announces 2019 Short Film Programme

From unseen forces to dangerous desires, from the remorseful living to the remorseless dead, from under the earth to creepy closed doors, Arrow Video FrightFest 2019 continues the festival’s fine tradition of showcasing the best in global genre short filmmaking.

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New Blood: FRIGHTFEST REANIMATES ITS NEW BLOOD SEARCH FOR NEW WRITERS

With FrightFest entering its 20th year, the search is set to resume for new writers in the horror genre. For the third year running, New Blood reunites FrightFest with Giles Edwards of Queensbury Pictures with its mission to find emerging UK-based writers dedicated to the genre and nurture their projects from script to screen. Queensbury is ultimately interested in buying the finished script rather than the idea, and so, this year all successful final candidates if selected should be able to send even a rough draft of the first ten pages of their script through with their acceptance.

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FrightFest 2018: Interview with Justin P. Lange, director of The Dark

Ten Questions with Justin P. Lange, director of THE DARK

THE DARK is based on your Columbia University thesis short film. Was it a difficult process expanding it into a full-length feature? 

I never really saw this as a traditional short-to-feature type of deal, to be honest. My thesis film was my first real foray into genre filmmaking, so it was very much a trial-and-error process for me, almost like a sketch, in which I wanted to see what my version of a horror film would look like. Luckily, the short had some success on the festival circuit, which gave me the confidence I needed to launch into writing the feature. Some of the ideas from the short definitely carried over, but ultimately it feels like a totally different film to me. 

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FrightFest 2018: Interview with Await Further Instructions Director Johnny Kevorkian

ARROW VIDEO FRIGHTFEST 2018

10 Questions with Johnny Kevorkian

What was it about Gavin Williams’s script for AWAIT FURTHER INSTRUCTIONS you liked so much, and what did you add to make it more personal to you?

Well, when I first read the script I thought: “How the hell am I going to make this!” It was like nothing I had ever seen before. I knew it was going to be a massive challenge in every way possible. Overall, this was a very unusual script and that also appealed to me. My main addition to the script was to push it in a much darker and serious tone overall, which is more my style of filmmaking. I’m pleased that I managed to retain the dark humour at the start but then move into a different and much more serious realm as things start getting nastier for the family.

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FrightFest: Interview With Damien Leone

Ahead of the UK premiere of his latest film Terrifier at the Horror Channel Frightfest Halloween event on Sat 23 Oct, director Damien Leone talks about the ’Art’ of extreme clowning, his debt to Tom Savini and a terrifying Halloween experience.

Art The Clown initially appeared in your 2008 short The 9th Circle, then the 2011 award-winning short Terrifier and in your first feature All Hallow’s Eve. What made you decide to give him a fourth outing?

DAMIEN: Up until this point I never felt like I fully showcased Art’s potential. I believe between the short films and All Hallows’ Eve, there only exists about 20 minutes of Art the Clown screen time. For a character who’s done so little, he seems to really resonate with horror fans. After all of the positive feedback, a full length film that focused solely on Art was inevitable. 

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FrightFest Film Review: 3rd Night

The dark opening sequence hangs heavily over the rural idyll shown in 3rd Night. Somewhere between B-movie and video nasty, a little girl is running around the woods, with the industry standard grisly event; but the soundtrack is brilliantly disturbing and unearthly, and the pace is well-judged. The nursery rhyme the child is singing drives everything else that unfolds in this movie.

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FrightFest: Radius

Making its European premiere at this year’s Horror Channel Frightfest, Radius is a new horror scifi feature directed by Caroline Labrèche and Steeve Léonard. Although offering an intriguing premise and a genuinely promising storyline, the film sadly fails to live up fully to  expectations, but don’t let that put you off too much, because there is plenty more to like in this ambitious production which is likely to please genre and indie fans alike.

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