Hitler’s rule over Europe was nothing short of horrifying for those who lived in fear of their lives. In David Leveaux’s The Exception, those times of brutal uncertainty peer through the lens with tense ambiguity reaching beyond the facade of regimented orders to show a touch of nuanced humanity.
Set in 1940’s Holland, the exiled Kaiser Wilhelm II, played with effortless fervour by Christopher Plummer, mellowing in his twilight years, hungers to be restored to his German Throne. His ever-loyal wife Princess Hermine (Janet McTeer) staunchly stands by his side, reprimanding him for his blasé attitude and his runaway opinions. With a constant threat lingering on his life through assassination attempts, Captain Stefan Brandt (Jai Courtney) is assigned to protect him by the SS. In the midst of the household is a Dutch maid, Meike de Jong (Lily James), a firm favourite of the Kaiser who becomes entangled with a romantic dalliance with Brandt, but with the threat of a spy lurking in the town.