By Freda Cooper
So that was 2017, the year when horror became the genre of choice and broke a few boundaries into the bargain. When every month had at least one blockbuster, or a superhero movie – or both. When some superheroes weren’t exactly super. And when fan backlashes became the norm, from La La Land to The Last Jedi.
But, most importantly of all, people still kept going to the movies. Because, despite the inevitable flops and disappointments, as well as the more serious, longer term issues, it was a pretty good year as far as the films themselves were concerned. Those of us that write about cinema have had one hell of a job compiling our top tens – even top twenties – this year, because there were so many contenders.
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