Tony Richardson and Woodfall Films: A Revolution in British Film
A month-long season at the BFI Southbank, April 2018
Reviewed by Lee Hill
From 1959 to 1963, director Tony Richardson became synonymous with “kitchen sink realism”. That catchphrase simultaneously celebrated and dismissed a new wave in British film. The wave first came to attention when Richardson and Karel Reisz screened their documentary short, Mamma Don’t Allow, as part of the 1956 Free Cinema programme at the National Film Theatre, now BFI Southbank. Thanks also to a precocious amount of work in student productions at Oxford, Richardson became part of The Royal Court Theatre, where he directed John Osborne’s two most famous plays, Look Back in Anger and The Entertainer.