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Month: October 2018

Film Review: Possum

 

Reviewed by Lee Hill

Is it possible for a film to be too well executed? This is the conundrum presented by Possum, an ambitious and brooding portrait of an individual tortured by demons that may or may not be entirely psychological. First time director Matthew Holness, maps out the nightmarish headspace of a disgraced puppeteer returning to his family home in Norfolk. The result is a remarkable vision of suburban England in decline that evokes Kafka, Poe, Beckett, Lynch and Cronenberg, particularly the latter’s 2002 adaptation of Patrick McGrath’s Spider.

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Film Review: The Favourite

Reviewed By Freda Cooper

A Yorgos Lanthimos movie has become something of a tradition at the London Film Festival. The Lobster made its debut in 2015 and last year it was The Killing Of A Sacred Deer but his 2018 offering comes with the loudest fanfare. After winning big at Venice – the Grand Jury Prize and the Best Actress award for Olivia Colman – The Favourite is already looking like one of the major contenders come the awards season.

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LFF 2018 – Widows

Reviewed by Lee Hill

After winning the Best Picture for 12 Years A Slave in 2014, expectations for Steve McQueen’s next feature were high. The news that McQueen was going to remake a well regarded, but distantly recalled 1983 ITV mini-series by Lynda LaPlante seemed a tad perverse (would this be his At Long Last Love or 1941?). However, McQueen and his co-writer, Gone Girl’s Gillian Flynn have, for the most part, successfully transformed the original “gangsters’ wives pull off heist” premise to tap into our current preoccupations with race, gender equality and the general cynicism, if not outright contempt, towards politics as usual.

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