Interview: Screenwords Meets John Panton (AKA Meat Bingo)

Words By Linda Marric From getting comedy writer and ex NME journalist David Quantick to voice-over his first project, to enlisting a whole host of household names such as Rebecca Front and Nigel Planer to star in his short films, director John Panton is by his own admission someone who has never shied away from asking for help. With an already impressive back catalogue under his belt, including a music…

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Film Review: Lost In Paris (Paris pieds nus)

Reviewed By Linda Marric Even if you’re a newcomer to the wonderful world of Abel and Gordon (Rumba, The Fairy), and their whimsical slapstick style of filmmaking, one cannot help but admire the amount of the work that goes into their output year in year out. Back with Lost In Paris or to give its original title, Paris pieds nus (Barefoot In Paris), the comedy duo achieve a huge coup…

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Film Review: Beach Rats

Reviewed By Linda Marric Despite it being only her second feature, it’s easy to see why It Felt Like Love director Eliza Hittman’s newest offering Beach Rats is being talked about in the same breath as Barry Jenkins’ brilliant 2016 multi-award winning film Moonlight. With its understated mood, poetic tone and truly astounding performances, the film not only offers an honest non-judgemental portrayal of youthful bravado and coming of age,…

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Film Review: Ingrid Goes West

Directed by new comer Matt Spicer, Ingrid Goes West is perhaps one of the most knowing film of its genre. This brilliantly put together and genuinely engaging dark comedy knows more about its subject than the average Hollywood blockbuster around, and does a fantastic job in reconciling some of us with the world of social media in the most honest way possible. Spicer and co-writer David Branson Smith offer an…

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Film Review: Marjorie Prime

Adapted by Michael Almereyda from Jordan Harrison’s 2014 play, Marjorie Prime is a gently haunting and deeply affecting tale which deals with themes relating to what separates human beings from artificial intelligence and whether holding on to someone’s memories, even after their death, is an essential part of who we are. Set in a near-future, the film offers a thought-provoking look at humanity’s acceptance of AI despite all the obvious…

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FrightFest: Interview With Damien Leone

Ahead of the UK premiere of his latest film Terrifier at the Horror Channel Frightfest Halloween event on Sat 23 Oct, director Damien Leone talks about the ’Art’ of extreme clowning, his debt to Tom Savini and a terrifying Halloween experience. Art The Clown initially appeared in your 2008 short The 9th Circle, then the 2011 award-winning short Terrifier and in your first feature All Hallow’s Eve. What made you decide…

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LFF 2017: Call Me By Your Name

Attempting to identify what makes certain films into instant classics is never easy, and no matter how hard one tries, it is near impossible to second-guess how people would react to a movie, especially in these days of instant social media gratification and throwaway commentary. In the case of Call Me By Your Name, it is frankly hard to see how anyone could possibly find fault with this genuinely stunning production.…

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Film Review: Goodbye Christopher Robin

Simon Curtis’ Goodbye Christopher Robin might not be one of the most perfectly executed films, but what it lacks in the direction stakes, it definitely manages to make up for with its genuinely heartwarming and deeply affecting storyline. Written by Frank Cottrell Boyce and Simon Vaughan, the film offers a beautifully nuanced account of the story behind one of the most loved children’s books in history and the boy who…

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Review: Home Again

In life, there are only two types of people, those who can’t see the fun or the point in rom-coms, and those who literally cannot get enough of them. Those who hate the genre will simply never get the fuss and find the whole thing rather cringeworthy at the best of time; others, like yours truly, will defend the humble rom-com until the cows come home, especially if they happen…

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