LFF 2017: 120 BPM

120 BPM is a film you tend to admire rather than love. Robin Campillo’s film deals with the rise of Act Up in France in the late 80s and early 90s as the activist group tackled the complacency of government, medical and pharmaceutical establishments in dealing with the crisis. If the film veers towards being a polemic at times, it contains many scenes that remind one of the anguish and…

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Film Review: A Gentle Creature

Reviewed by Lee Hill Vladimir Putin may be looking forward to another six years of running the Russian Federation, but his country’s best filmmakers will not give him an easy ride. Andrey Zvyagintsev’s Leviathan and Loveless have been recent state-of-the-nation molotovs lobbed at Mother Russia. Sergei Lotznitsa’s A Gentle Creature is a further reminder that, despite the monolithic philistinism that Putin embodies and revels in, dissident filmmaking is not just…

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Film Review: The Bachelors

Reviewed by Luke Channell “I can’t stay here anymore” declares a mournful Bill (J. K. Simmons) to his teenage son Wes (Josh Wiggins) at the very beginning of Kurt Voelker’s indie dramedy The Bachelors. Attempting to move on from the sudden death of Bill’s wife, the pair relocate from their family home in San Francisco to a small rental property in Los Angeles. Despite this cookie-cutter premise – plus a…

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Coming Soon: Tony Richardson and Woodfall Films

Tony Richardson and Woodfall Films: A Revolution in British Film A month-long season at the BFI Southbank, April 2018 Reviewed by Lee Hill From 1959 to 1963, director Tony Richardson became synonymous with “kitchen sink realism”. That catchphrase simultaneously celebrated and dismissed a new wave in British film. The wave first came to attention when Richardson and Karel Reisz screened their documentary short, Mamma Don’t Allow, as part of the…

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Film Review: Ready Player One

Reviewed by Zack Evans Cyberpunk has been with us for quite some time, but it has never quite gone mainstream. Whilst Philip K Dick has been embedded in sci-fi film culture for decades, surprisingly few of the other big names (Sterling, Stephenson, Noon…) have made it directly into the medium, except Gibson’s Johnny Mnemonic, and his Pattern Recognition is stuck in Dev Hell. Instead, cyberpunk has diffused through geek culture in general,…

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Film Review: A Wrinkle In Time

Reviewed by Zack Evans Whether or not the book is a timeless classic, the basic premise of A Wrinkle In Time is certainly the stuff of archetype. Following the disappearance of her father four years ago, Meg Murray, played by the excellent Storm Reid, grows into a Troubled Teenager – she is bullied at school and has a difficult relationship with her mother. There’s a refreshing additional dynamic between Meg…

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Film Review: The Islands and the Whales

Reviewed by Rachael Kaines A thoughtful, measured, and unbiased look at a myriad of issues facing modern man through the lens of an isolated archipelago with an unusual and controversial culture. The Islands and the Whales manages the impressive feat of illuminating a society that has, until now, largely escaped the many effects of globalisation, but they are on the brink of change. Pollution, overfishing, global warming, animal rights, and…

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Wonder Wheel: A Meta Review

Reviewed by Lee Hill If you want a review of Wonder Wheel, Woody Allen’s 48th feature film as writer and director, the following will prove disappointing or perhaps, even upsetting. Go ahead cry, fume, tsk tsk or rant – tweet if I care. This is a meta-review of Wonder Wheel (not to be confused with Woody Allen Summer Project 2017 aka A Rainy Day in New York, which may or…

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Film Review: The Third Murder

Reviewed by Rachael Kaines The Third Murder is a frustrating and intriguing drama that asks many more questions than it answers. The truth is unknowable in this atmospheric and atypical offering from Japanese auteur Hirokazu Koreeda. The story follows Tomoaki Shigemori (Masaharu Fukuyama), a lawyer who is defending a client, Misumi (Kōji Yakusho), in a murder trial. Misumi was previously convicted for two murders, but sentenced to years rather than…

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Film Review: The Square

Reviewed by Lee Hill In his 1946 essay, Politics and the English Language, George Orwell said: “…if thought corrupts language, language can also corrupt thought. A bad usage can spread by tradition and imitation, even among people who should and do know better.” Clear thinking, common sense, open debate and reason face new threats from the grip that marketing, branding, spin, “fake news” and other forms of intellectual cheerleading now…

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