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Author: Linda Marric

Linda Marric (@Linda_Marric) is a freelance film journalist and interviewer.

She has written extensively about film and TV for The London Economic, HeyUGuys, FilmLand Empire, DMovies.com and her own film blog screenwords.co.uk. After graduating with a degree in Film Studies from King's College London, she worked in post-production on a number of film projects and had a short stint working at the BFI London Film Festival. She has a huge passion for intelligent Sci-fi movies (think Phillip K Dick adaptations). Her favourite movie of all time is still Brazil almost 30 years after watching it for the first time.

Film Review: It Comes At Night

As intelligent horror movies go, It Comes At Night isn’t so much senseless blood and gore, but rather a film which will inject a sense of fear, paranoia and utter despair in its audience. Written and directed by Trey Edward Shults, the film manages to play on its audience’s deepest fears by using clever devices which will make even the most seasoned horror fans jumped out of their skin. Playing on the whole tried and tested “cabin in the woods” trope, Shults manages to bring something fresh and classy to the proceedings without ever resorting to cheap tricks or tired clichés. Borrowing from Romero, Carpenter and even from John Hillcoat’s The Road (2009), the film cleverly plays on the idea of trust in a bleak post-apocalyptic envirement, all the while treating  its audience like adults and never spoon-feeding them.

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Film Review: Tommy’s Honour

Who would have thought a film about the early days of golf in Scotland could carry with it this much heart, and emotional turmoil. Held together with an incredibly well crafted narrative, this surprisingly moving tale offers way more than its tittle would suggest.  Directed by Jason Connery (son of Sean Connery) from a screenplay by Pamela Marin, Tommy’s Honour is not only well acted and beautifully portrayed by a brilliantly self-effacing cast, but it is also a film which will have you rethink your preconceived ideas about the sport.

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Film Review: The House

What is there to say about a film which wastes not just one comic talent, but one which succeeds in dragging several well loved and respected comedy greats down to its mediocre level. This badly thought out and poorly judged piece of filmmaking, is not only silly and thin on laughs, but it also manages to be so boring that you will find yourself wishing it would just hurry up and end. The usually brilliant Will Ferrell and Amy Poehler look as befuddled by the whole thing as the rest of us, and perhaps wish that they’d never got involved in this mess, judging by their pedestrian performances.

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Alone In Berlin

Adapted from Hans Fallada’s highly acclaimed 1947 novel, Alone In Berlin is a story based on real life events which took place in Berlin at the heights on Nazi rule. Staring Emma Thompson and Brendan Gleeson, the film delves into one of Europe’s darkest hours and addresses the everyday acts of quiet resistances by ordinary German citizens during that time. Alone In Berlin not only tells an important story about stoic resistance to a hateful destructive ideology, but it also allows these acts of rebellion to be shared with a wider audience. Directed by actor turned director Vincent Perez, Alone In Berlin is expertly crafted visually and has more heart and urgency that you could ever wish for, even if it is ultimately let down by a less than perfect screenplay.

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Wonder Woman Soars At The Box Office In The UK And Ireland

It’s official, Wonder Woman is one of the best reviewed films of the year so far. Not only that, but Patty Jenkins’ ballsy female centric superhero movie…

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