Biography is difficult. It’s tough to fit a life history and useful insight into the subject’s character into 90-odd minutes, and too often films about creatives are simply too long. Loving Vincent neatly solves this problem by wrapping the storytelling around van Gogh’s work itself, capturing both very neatly, and then turning the whole result into a living, breathing painting, put together by a hundred artists working over two years to…
Read MoreLFF 2017: David Stratton: A Cinematic Life
David Stratton: A Cinematic Life is a simple idea superbly executed: tell the history of Australian cinema through eyes of a man who is arguably its most famous critic. Sally Aitken’s film is a fascinating portrait of one man’s passion for film, a love letter to his adopted country (Stratton was born into a conservative middle-class family in Trowbridge, Wiltshire).and how a national cinema gained maturity and global acclaim.
Read MoreLFF 2017: My Generation
My Generation is Michael Caine’s personal take on the swinging sixties; the decade that brought fame and success for many working-class upstarts in the world of film, music, fashion and the visual arts. As one of the film’s producers, Caine works with documentarian David Batty and screenwriters Ian La Frenais and Dick Clement to weave a portrait of a decade for which the term “unreliable narrator” seems to have been…
Read MoreLFF 2017: Cargo
Cargo is the remarkably confident and moving debut of Belgian writer/director Gilles Coulier. With a natural gift for dramatic realism, Coulier puts the viewer in the centre of a battered, but not beaten family of 3 brothers trying to keep their trawling business alive off the Northern European coast. When their father has a stroke during a particularly rough voyage, the brothers are confronted with the harsh reality that the…
Read MoreFilm Review: Goodbye Christopher Robin
Simon Curtis’ Goodbye Christopher Robin might not be one of the most perfectly executed films, but what it lacks in the direction stakes, it definitely manages to make up for with its genuinely heartwarming and deeply affecting storyline. Written by Frank Cottrell Boyce and Simon Vaughan, the film offers a beautifully nuanced account of the story behind one of the most loved children’s books in history and the boy who…
Read MoreReview: Home Again
In life, there are only two types of people, those who can’t see the fun or the point in rom-coms, and those who literally cannot get enough of them. Those who hate the genre will simply never get the fuss and find the whole thing rather cringeworthy at the best of time; others, like yours truly, will defend the humble rom-com until the cows come home, especially if they happen…
Read MoreFilm Review: The Exception
Hitler’s rule over Europe was nothing short of horrifying for those who lived in fear of their lives. In David Leveaux’s The Exception, those times of brutal uncertainty peer through the lens with tense ambiguity reaching beyond the facade of regimented orders to show a touch of nuanced humanity. Set in 1940’s Holland, the exiled Kaiser Wilhelm II, played with effortless fervour by Christopher Plummer, mellowing in his twilight years,…
Read MoreFilm Review: Zoology
On the surface this bizarre little Russian film could be misinterpreted as a strange fetish tale about a woman with a tail – not just a tiny one like that of Jason Alexander’s in Shallow Hal, but a full-length animalistic tail, fleshy in colour and with a mind of its own. This emotive story ventures deeper than that. It’s a story of how single women of a certain age are…
Read MorePickups – LFF 2017 Review
Pickups is the third collaboration between actor Aiden Gillen and writer/director Jamie Thraves. Back in 2000, Thraves give Gillen one of his first big roles in the indie Low Down and the two have kept in touch between the former’s work in commercials and music videos and the latter’s perfor-mances in TV series like The Wire and Peaky Blinders. Pickups is a frustrating mix of meta-fiction and character study where…
Read MoreGemini – LFF 2017 Review
Gemini makes the most of its low budget and largely unknown cast thanks to its Los Angeles setting and neo-noir storyline. This is Aaron Katz’s fifth feature and it deserves to be the film that breaks him out of the film festival ghetto his work has largely circulated in. Lola Kirk is Jill, the wise, long suffering assistant to Zoe Kravitz’ Heather Anderson, a young star whose mercurial temperament makes…
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