In her 60s prime, Nico was the formidably beautiful Wagnerian queen of avant-garde rock, breaking not only the hearts of her fellow Velvet Underground bandmates, John Cale and Lou Reed, but inspiring Jackson Browne and Leonard Cohen to write some of their best songs. Alas by the 80s, she was barely a cult survivor – addicted to heroin, trying to reconnect with her son by Alain Delon and touring with a motley crew of young musicians in dives across Europe.
Italian director, Susanna Nicciarelli, largely sets Nico’s life story in these final days before her accidental death in Ibiza, but we catch glimpses of the heady glamour of the Velvets and Andy Warhol’s Factory through archive footage. Despite a charismatic performance by Danish actress, Trine Dyrholm, in the title role, this film never quite solves the problem of making Nico’s aimless life dramatically compelling. While Dyrholm is supported by a strong cast of supporting players including John Gordon Sinclair as Nico’s long-suffering manager and Annamarina Marinca as the band’s vio-linist, their efforts are not rewarded by a script that largely consists of grim vignettes of life on the road.