Rachael Kaines picks her favourite TV shows of 2017. Do you agree? We have been blessed by yet another great year for television, with the golden age showing no signs of ending or even slowing down. Deciding a top ten is very difficult this year, it could have easily included things like Catastrophe, Big Little Lies, Game of Thrones, Easy (why is no one talking about this show?), and, of…
Read MoreBest Films Of 2017 By Sigridur Petursdottir
Icelandic film journalist and screenwriter Sigridur Petursdottir picks her favourite films of 2017. Three Billboards Outside Ebbing, Missouri – Martin McDonagh Frances McDormand has been one of my favourite actresses for a long time. In this movie, she gives it her all. Mildred is funny, tragic, dangerous, sensitive, clever, hurt, but also crazy. Three Billboards Outside Ebbing, Missouri is a brilliant film. It’s well written, it makes you laugh, and it…
Read MoreBest Films of 2017 By Louis Bayman
Writer and lecturer Louis Bayman picks his favourite films of the year for Screenwords. 1-Lady MacBeth (Dir: William Oldroyd) 2-T2 Trainspotting (Dir: Danny Boyle) 3-Mudbound (Dir: Dee Rees)
Read MoreBest Films of 2017 by Rachael Kaines
Screenword’s own Rachael Kaines selects her favourite films of 2017. 1 – Call Me By Your Name (Luca Guadagnino) Could you imagine anything better than spending a summer somewhere in Northern Italy, reading, swimming, and falling in love? Me either.
Read MoreBest Films Of 2017 By Robert Chandler
Continuing our end of the year series, writer and producer Robert Chandler picks his favourite films of 2017 for Screenwords. 1-LAST FLAG FLYING It won me over. I was cautious. A somewhat sequel to The Last Detail, one of the great American films of the early 1970s, a film that dealt with life and the inevitability of death, through the journey of three young soldiers: two of them, Jack Nicholson…
Read MoreBest Films Of 2017 By Lee Hill
1-Twin Peaks: The Return (David Lynch) More than just a revival of a cult TV show, this was an 18-hour feature as mysterious, surreal and heartbreaking as Mulholland Drive and perhaps the closest a filmmaker has come to the novelistic reach of Gravity’s Rainbow or John Updike’s Rabbit books since RW Fassbinder’s Berlin Alexanderplatz.
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