Director Joaquín Cambre’s debut feature A Trip to the Moon (Un Viaje a la Luna) is an otherworldly coming-of-age film that follows Tomas (Ángelo Mutti Spinetta) as he navigates his way through life and ultimately, through space. A unique family drama coupled with nuanced performances is certainly something audiences wouldn’t have seen before, but there might be a reason for that.
Read MoreFilm Review: Girl
Belgian director Lukas Dhont’s debut feature, Girl, although a critical success in the festival circuit, hasn’t been without its controversy. On the run up to the film’s release, Dhont has fought to defend his trans coming-of-age film in which critic, Oliver Whitney described as “the most dangerous movie about a trans character in years.”
Read MoreFilm Review: Children of the Snow Land
Nestled on the outskirts of Nepal’s capital sits Snowland Ranag Light of Education School, a non-profit educational organisation committed to providing education to children of remote Himalayan villages. Founded by Guru Ranag Tulkhu Rinchin Rinpoche in 2001, Snowland has been supporting Nepal’s children from early childhood into their teens. Marcus Stephenson and Zara Balfour’s documentary Children of the Snow Land follows three students as they journey back home to see…
Read MoreFilm Review: Papillon
Reviewed by April McIntyre Adapted from the autobiographical novel of the same name and following Franklin J. Shaffner’s 1973 film, Michael Noer’s remake of Papillon follows the story of safe cracker and thief, Henri “Papillon” Charrière as he serves out his sentence in a penal colony in French Guiana.
Read MoreFilm Review: Possum
Reviewed by Lee Hill Is it possible for a film to be too well executed? This is the conundrum presented by Possum, an ambitious and brooding portrait of an individual tortured by demons that may or may not be entirely psychological. First time director Matthew Holness, maps out the nightmarish headspace of a disgraced puppeteer returning to his family home in Norfolk. The result is a remarkable vision of suburban…
Read MoreFilm Review: Reinventing Marvin
A claustrophobic close-up of a body, the light bouncing off the skin of an unidentified figure. This is how the film introduces us to Marvin, an aspiring actor and someone whose work is directly influenced by his upbringing. Anne Fontaine’s coming out film has its feet planted both in Marvin’s past and his present. We’re instantly thrust into his childhood and school-life as he struggles with homophobia, sexual abuse and his…
Read MoreFilm Review: Hurricane
Reviewed by Lee Hill World War Two is the safe space for a great deal of recent British film, television and theatre. Last year, Christopher Nolan’s Dunkirk and Joe Wright’s The Darkest Hour went mano a mano to prove that while our present Oxbridge brain trust in Parliament and other corridors of power may have difficulty deciding on a latte order, times were different during the Blitz. If you dash,…
Read MoreLFF 2018 – Five Must-Sees
Freda Cooper picks her 5 must see film in this year’s London Film Festival programme. For any self-respecting film fan, the London Film Festival is a tantalizing mix of heaven and hell. Heaven is the prospect of some wonderful films, events, red carpets and more than a sprinkle or two of good old fashioned glamour and glitz. Hell is working out how many of the 225 features in this year’s…
Read MoreFilm Review: The Children Act
Adapted by Ian McEwan from his acclaimed novel, based on the 1989 UK law of the same name, The Children Act asks the question: should the laws of a society, or the rules of a religion, take precedence? Set in London, around its central law courts, Emma Thompson plays Justice Fiona Maye, a High Court Judge who works on some of the most morally challenging cases, with literal life and…
Read MoreFilm Review: The Negotiator
Reviewed by Lee Hill It’s never a good sign when a film first appears at a creative friendly place like the Sundance Film Festival and then undergoes a change of title when it surfaces at your local multiplex. This is the case of The Negotiator, a ripped from “today’s headlines” (well, 70s/80s Lebanon to be exact) thriller, with a hardboiled take on Middle East realpolitk. Originally called Beirut, The Negotiator…
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