Reviewed by Lee Hill Unlike Shakespeare or Tennessee Williams, the film adaptations of Anton Chekhov’s plays and short stories have not made much of an impact beyond festivals or art houses. While I still have vivid memories of watching Vanessa Redgrave, Natasha Richardson and Jonathan Pryce in a 1985 West End production of The Seagull, only Sidney Lumet obsessives are likely to remember the director’s curious 1968 version with Redgrave,…
Read MoreFilm Review: The Negotiator
Reviewed by Lee Hill It’s never a good sign when a film first appears at a creative friendly place like the Sundance Film Festival and then undergoes a change of title when it surfaces at your local multiplex. This is the case of The Negotiator, a ripped from “today’s headlines” (well, 70s/80s Lebanon to be exact) thriller, with a hardboiled take on Middle East realpolitk. Originally called Beirut, The Negotiator…
Read MoreFilm Review: Pandora’s Box BFI Reissue
Reviewed by Lee Hill Film critics are known for superlatives with a shelf-life that makes the average fruit fly seem like one of the immortals. As newspapers and magazines became as quaint as brass rubbings, fewer critics make any money from what they do and being asked to contribute a blurb for a sub-adolescent comic book tie-in, paint-by-numbers rom com or earnest biopic now qualifies as a career high, I…
Read MoreLFF 2017: Redoubtable
One of the unofficial laws surrounding biopics is the more complex and rich the subject, the more reductive and superficial the treatment of the life. Redoubtable is ostensibly about a great cinema revolutionary, Jean-Luc Godard, but his life and art are alas interpreted by Michel Hazanavicius, a director who wears his slim talent for pastiche heavily. Hazanavicius is best known for The Artist, one of the least deserving Best Picture…
Read MoreFilm Review: Sweet Country
Reviewed by Lee Hill Sweet Country is a sympathetic, but unsentimental look at one of many turning points in the tortured relations between aboriginal peoples and white Australians. Set in 1929, Mick, an embittered and alcoholic war veteran (Thomas M. Wright) buys a station in a remote part of New South Wales. With little farming know-how, he enlists the aid of Fred Smith, his closest neighbour (Sam Neill), a born-again…
Read MoreFilm Review: Mary Magdalene
Reviewed by Rachael Kaines Mary Magdalene is a disarming portrait of someone who — the film argues — is an often misrepresented figure. This retelling is unashamedly feminist and augmented by astounding performances from both Rooney Mara and Joaquin Phoenix. Mary Magdalene is not self-indulgent, self-righteous, or gratuitous, and all the better for it, resulting in a deeply profound and humanist revision to a well-worn history.
Read MoreFilm Review: Finding Your Feet
Reviewed by Rachael Kaines Finding Your Feet, the new film directed by Richard Loncraine (Wimbledon), features an all-star cast in a predictable, but fun flick. Great performances and funny moments make up for a story that loses momentum partway through. Finding Your Feet is an enjoyable, but flawed comedy/drama.
Read MoreBAFTA Predictions By Linda Marric
My BAFTA predictions: BEST PICTURE Will win: Three Billboards Should winl: CMBYN — Linda Marric 🇪🇺 (@Linda_Marric) February 18, 2018
Read MoreFilm Review: The Shape of Water
Reviewed by Rachael Kaines With The Shape of Water Guillermo del Toro has finally returned to form. A charming and beautiful romance as well as a tale (tail) of underdogs (fish) of all shapes and sizes. del Toro manages to represent many marginalised aspects of society in the setting of America during the cold war (even a group we never knew were marginalised — fish men).
Read MoreFilm Review: The Mercy
Reviewed by Lee Hill In 1968, Donald Crowhurst, family man, struggling inventor and amateur sailor, was determined to boost the profile of a navigation device too ahead of its time. He decided to enter the Golden Globe, an around the world race sponsored by The Sunday Times. Despite not having sailed beyond the coast of Devon and struggling to keep his tiny company going, Crowhurst felt the risk was worth…
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