Reviewed by April McIntyre Apostasy: “The abandonment or renunciation of a religious or political belief or principle” cites the dictionary, which gives audiences a hint at what to expect from director, Daniel Kokotajlo’s debut, an insight into the lives of Jehovah’s Witnesses. Kokotajo, a former Jehovah’s Witness himself for 10 years shines a light on a community about which many know very little.
Read MoreTrailer: Peterloo by Mike Leigh
The trailer for Mike Leigh’s dramatisation of the 1819 Peterloo Massacre is here. The film which is part of the official selection at Venice Film Festival, will be released in the UK in early november, but we might even get to see it earlier, depending on whether is it also selected to be part of the BFI’s London Film Festival programme in October.
Read MoreMission: Impossible – Fallout Review
Reviewed by Freda Cooper (@FredaTalkingPix) Ethan Hunt is back! It’s the sixth instalment of the Mission:Impossible franchise, but let’s put aside the logic that says there should only ever have been one film with that title. The same argument applied to the original TV series and it never bothered them, so why should Tom Cruise worry about it? After all, this is not a series that demands too much of…
Read MoreFilm Review: The Racer and The Jailbird
Reviewed by Lee Hill Flemish director Michael R Roskam is best known for his noirish debut, Bullhead (2011), a searing character study of a young farmer caught up in the black market for illegal beef products. Bullhead made Matthias Schoenaerts one of the latest stars of European arthouse cinema to cross over to a global audience. It also established Roskam as a director who could combine character driven drama with…
Read MoreSteve McQueen’s Widows to Open LFF 2018
This year’s Opening Night gala will be Academy Award- winner Steve McQueen’s WIDOWS. The International premiere will take place on Wednesday 10th October at the Cineworld, Leicester Square. Co-written by McQueen and best-selling novelist and screenwriter Gillian Flynn and starring Academy Award®- winner Viola Davis, WIDOWS is a complex thriller about a group of women with nothing in common except a debt left behind by their dead husbands’ criminal activities.…
Read MoreFilm Review: Swimming With Men
Reviewed by Luke Channell Oliver Parker’s Swimming with Men turns the spotlight on the uncharted world of male synchronised swimming in this amiable yet slightly flimsy British dramedy. The film takes its inspiration from 2010 documentary Men Who Swim which followed a group of middle-aged Swedish men in their pursuit of synchronised swimming glory. But Swimming with Men is most indebted to a tradition of British feel-good films which see…
Read MoreFilm Essay: Yellow Submarine 4K Reissue
Reviewed by Lee Hill Where did the time go? Fifty years ago, if memory serves, when Yellow Submarine first hit theatres, I was mesmerized by the Gold Key comic tie-in owned by one of my neighbourhood pals. My other Beatle memory of 1968 was seeing the fab four on The Smother Brothers when their promotional films for “Hey Jude” and “Revolution” aired. I didn’t get to see the film properly…
Read MoreFilm Review: Terminal
Reviewed by April McIntyre Director Vaughn Stein has put his own spin on the classic genre in his gritty, neo-noir, Terminal. Margot Robbie heads up this impressive cast, which includes Mike Myers, Simon Pegg and Dexter Fletcher. Aesthetically Terminal does what a neo-noir should do; the chiaroscuro lighting, the anonymous big city, blaring neon lights and a deadly and seductive femme fatale. Unfortunately, that is where it stops and there’s…
Read MoreFilm Essay: Harlan Ellison Tribute
Harlan Ellison RIP: The Writer on the Edge of Forever Essay by Lee Hill Given that most of his books were out of print when he died, the widespread outpouring of love and admiration for Harlan Ellison belies the writer’s own cynicism about modern popular culture. During the heyday of his career in the 60s and 70s, Ellison dragged science fiction and fantasy (and legions of wallflower-like fans) kicking and…
Read MoreFilm Review: The First Purge
Reviewed by Linda Marric Back in 2013, James DeMonaco’s The Purge presented us with nightmarish vision of America in a near future in which crime has been made legal for 12 hours every year, leaving people free to commit the most unspoken atrocities without suffering the consequences. After two more lucrative sequels which failed to live up to the original film’s brilliant high concept premise, this week sees the release…
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