Film Review: Marjorie Prime

Adapted by Michael Almereyda from Jordan Harrison’s 2014 play, Marjorie Prime is a gently haunting and deeply affecting tale which deals with themes relating to what separates human beings from artificial intelligence and whether holding on to someone’s memories, even after their death, is an essential part of who we are. Set in a near-future, the film offers a thought-provoking look at humanity’s acceptance of AI despite all the obvious…

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Film Review: The Unseen

A boy dies in an awful, nightmarish accident – likely caused by his mother, Gemma (Jasmine Hyde); his parents struggle with the aftermath, each in their own way. The father, Will (Richard Flood) mourns openly, while Gemma becomes almost blank, and overly pragmatic. She hastens to move on, but suddenly develops a disconcerting condition: at times of heightened emotion, her vision blurs and she becomes temporarily blind. A stranger, Paul…

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Film Review: Paddington 2

The good feeling and box office success generated by the first Paddington film, released in 2014, will likely continue thanks to Paul King’s return to the director’s chair. King co-writes the script with actor/comedian, Simon Farnaby, who he worked with on The Mighty Boosh TV series and his indie debut, Bunny and The Bull. Together, King and Farnaby maintain the balance between visual invention and comic dialogue that made the…

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Film Review: Murder On The Orient Express

Setting a movie on a train is a brave move – films in claustrophobic settings are hard work for a screenwriter. Often claustrophobia works because of the focus on the dynamics of a small group, but Murder On The Orient Express does not have this option either, as Michael Green has elected to include  everybody from a complex book. Director Kenneth Branagh made it clear from the outset that he…

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Film Review: Joan Didion: The Center Will Not Hold

Joan Didion, the subject of this moving documentary now available on Netflix, is one of America’s greatest living writers. Her unsentimental, yet lyric vision surfaced in the essay “On Respect”, when she was a young sub-editor at American Vogue in the early 60s. Her voice was shaped by a childhood spent in her birthplace, Sacramento, California, with its ethos of small c-conservatism, a West conquered by heroic pioneers and a…

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Film Review: Trendy

Trendy is the directorial debut from Louis Lagayette and successfully channels American Psycho into hip East London. Immigrants, hipsters, and cockneys meet gentrification, big-city loneliness, and violence in this psychological thriller. The film follows Richard, a 30-year-old maths teacher who moves to East London. Richard is meticulous, drawing diagrams of the pokey flats he’s shown around by estate agents, donned in an extremely uncool waterproof jacket and walking shoes. He…

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Film Review: 78/52

One of the most iconic scenes in cinematic history receives a thorough examination and analysis in Alexandre O. Philippe’s intriguing yet overlong documentary 78/52. The film’s title refers to the 78 camera set-ups and 52 cuts which Alfred Hitchcock used to capture the infamous shower scene in Psycho. Assigning a full 7-days of a 30-day schedule to filming the short sequence, Janet Leigh’s brutal murder in the shower at Bates…

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Top Five Horror Films of the Last Five Years

There has been something of a resurgence of horror in recent years. As a genre that for decades has been riddled with cliche and repetition of the same archetypal characters and cookie-cutter plot lines, it’s just in time. These modern horror movies are characterised by the fact they are uncategorisable — they defy the conventions of the genre within which they reside and bring each bring something new to the…

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Film Review: Thelma

In the stillness of a Norwegian winter, a father and child go hunting. They walk across a frozen lake, towards the woods. The child, a little girl, perhaps four years old, stops on the ice and looks down. She can see fish swimming, below the frozen surface, under her feet. What happens next is disquieting, dark, and unexplained. Much later, the full horror becomes clear.

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Guest Post: David Mcalmont’s Horror Picks

Favourite ten horror movies of the last ten years? Ah, the good old days: younger, more afraid, less jaded; staying up to participate in the pleasure mum took in those vintage horror classics once purveyed by Hammer and RKO pictures. Knowing who Bela, Boris, Christopher, Lon, Peter and Vincent were, by the age of ten. Often disappointed with how un-scary some films turned out to be; wanting to be spooked…

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