Reviewed by Lee Hill First released in the autumn of 1988, Heathers was the little teen suicide film that could. Produced by New World Pictures, a company founded by Roger Corman to nurture everything from Bergman’s Cries and Whispers to Slumber Party Massacre, Heathers was shot over 33 days for $3 million, and it made Winona Ryder and Christian Slater stars for much of the 90s. Focusing on a clique…
Read MoreFilm Review: Apostasy
Reviewed by April McIntyre Apostasy: “The abandonment or renunciation of a religious or political belief or principle” cites the dictionary, which gives audiences a hint at what to expect from director, Daniel Kokotajlo’s debut, an insight into the lives of Jehovah’s Witnesses. Kokotajo, a former Jehovah’s Witness himself for 10 years shines a light on a community about which many know very little.
Read MoreMission: Impossible – Fallout Review
Reviewed by Freda Cooper (@FredaTalkingPix) Ethan Hunt is back! It’s the sixth instalment of the Mission:Impossible franchise, but let’s put aside the logic that says there should only ever have been one film with that title. The same argument applied to the original TV series and it never bothered them, so why should Tom Cruise worry about it? After all, this is not a series that demands too much of…
Read MoreFilm Review: The Racer and The Jailbird
Reviewed by Lee Hill Flemish director Michael R Roskam is best known for his noirish debut, Bullhead (2011), a searing character study of a young farmer caught up in the black market for illegal beef products. Bullhead made Matthias Schoenaerts one of the latest stars of European arthouse cinema to cross over to a global audience. It also established Roskam as a director who could combine character driven drama with…
Read MoreFilm Review: Swimming With Men
Reviewed by Luke Channell Oliver Parker’s Swimming with Men turns the spotlight on the uncharted world of male synchronised swimming in this amiable yet slightly flimsy British dramedy. The film takes its inspiration from 2010 documentary Men Who Swim which followed a group of middle-aged Swedish men in their pursuit of synchronised swimming glory. But Swimming with Men is most indebted to a tradition of British feel-good films which see…
Read MoreFilm Essay: Yellow Submarine 4K Reissue
Reviewed by Lee Hill Where did the time go? Fifty years ago, if memory serves, when Yellow Submarine first hit theatres, I was mesmerized by the Gold Key comic tie-in owned by one of my neighbourhood pals. My other Beatle memory of 1968 was seeing the fab four on The Smother Brothers when their promotional films for “Hey Jude” and “Revolution” aired. I didn’t get to see the film properly…
Read MoreFilm Review: Terminal
Reviewed by April McIntyre Director Vaughn Stein has put his own spin on the classic genre in his gritty, neo-noir, Terminal. Margot Robbie heads up this impressive cast, which includes Mike Myers, Simon Pegg and Dexter Fletcher. Aesthetically Terminal does what a neo-noir should do; the chiaroscuro lighting, the anonymous big city, blaring neon lights and a deadly and seductive femme fatale. Unfortunately, that is where it stops and there’s…
Read MoreFilm Review: The First Purge
Reviewed by Linda Marric Back in 2013, James DeMonaco’s The Purge presented us with nightmarish vision of America in a near future in which crime has been made legal for 12 hours every year, leaving people free to commit the most unspoken atrocities without suffering the consequences. After two more lucrative sequels which failed to live up to the original film’s brilliant high concept premise, this week sees the release…
Read MoreFilm Review: Time Trial
Reviewed by Lee Hill Time Trial is a mesmerising documentary portrait of Scottish cyclist David Millar. He competed in the Tour de France and other world class cycling events with success through much of the late 90s to early naughties. His career coincided with the period when the consensus culture surround doping was coming under greater scrutiny from the press, whistle-blowers and legal investigators. In August 2004, he was banned…
Read MoreEdinburgh Film Festival: L’Apparition
Reviewed by Lee Hill The Catholic Church has seen better days at the cinema. During the Golden Age of Hollywood in the 30s and 40s, The Church acted as gatekeeper and censor ensuring that both the Holy Spirit and Hays Code were affirmed. The clergy on film tended to come with a touch of the blarney a la Bing Crosby or as sympathetic, but ineffectual sounding boards like Karl Malden in…
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