Reviewed by Rachael Kaines Mary Magdalene is a disarming portrait of someone who — the film argues — is an often misrepresented figure. This retelling is unashamedly feminist and augmented by astounding performances from both Rooney Mara and Joaquin Phoenix. Mary Magdalene is not self-indulgent, self-righteous, or gratuitous, and all the better for it, resulting in a deeply profound and humanist revision to a well-worn history.
Read MoreFilm Review: You Were Never Really Here
Reviewed by Lee Hill It is nice to see Lynne Ramsay back from Director Jail. In 2013, Ramsay had a very public falling out with the producers of the western Jane Got A Gun, which was completed by Gavin O’Connor. As often happens when a director is replaced early in shooting the rumour mill went into overdrive (see also Joseph Strick being replaced by George Cukor on Justine, Ken Russell…
Read MoreFilm Review: Gholam
Reviewed by Lee Hill Gholam (Shahab Hosseini), the title character of this mordant portrait of an exile in extremis, is a shy, laconic Iranian military veteran in his 30s. He survives on the margins of the expatriate community in London by driving a mini-cab at night and odd jobs at a garage during the day. When not sleeping in a grim, mold encrusted studio flat, he spends his meagre free-time…
Read MoreOscars 2018: Live Blog
Follow our live blog and find who won what as the night progresses. You can have a look at all of the nominees we have reviewed, the Screenwords predictions, and all of our writers’ “best of 2017” thoughts meanwhile. And of course @screen_words and founding editor @linda_marric will be on Twitter into the small hours. Winners in bold. Best Picture: Call Me by Your Name Darkest Hour Dunkirk Get Out Lady…
Read MoreOscars 2018: Our Predictions
Rachael Kaines shares her Oscars 2018 wish list. The Oscars are here again. After the snafu of last year and the extremely unlikely event of the voters actually picking the best film for best film, all bets are off this year. “Oscar bait” films seem to be doing worse year on year, which makes for much better pickings and increasingly harder to predict winners. Here are some predictions, or rather…
Read MoreFilm Review: A Fantastic Woman
Reviewed by Linda Marric A few films have managed to garner the kind of good will directed at Chilean filmmaker Sebastián Lelio’s brilliantly well observed feature A Fantastic Woman. Nominated for a foreign language Oscar at this weekend’s Academy Awards, the film offers a wonderfully complex, engaging and thoroughly affecting account of a young trans woman’s battle against preconceived ideas about gender and sexuality in a traditional latin society. Staring…
Read MoreFilm Review: The Nile Hilton Incident
Reviewed by Rachael Kaines Tarik Saleh delivers with The Nile Hilton Incident a compelling and taut thriller, that manages to remain engaging and unpredictable right up to its end. The transportation of the specific Scandi thriller style, with all its preoccupation with corruption and mistreatment of unseen minorities to Egypt works very well. A lot of the issues this type of thriller tends to deal, corruption and accountability for crimes,…
Read MoreReport: I, Tonya Press Conference
Report by Amon Warmann I, Tonya has been a big player in this year’s awards season, and for good reason. Margot Robbie delivers a career-best performance as Tonya Harding – an ex figure skating champion with a shocking story to tell – and she’s ably supported by an eye-catching turn from Allison Janney, Harding’s overbearing mother.
Read MoreFilm Review: Finding Your Feet
Reviewed by Rachael Kaines Finding Your Feet, the new film directed by Richard Loncraine (Wimbledon), features an all-star cast in a predictable, but fun flick. Great performances and funny moments make up for a story that loses momentum partway through. Finding Your Feet is an enjoyable, but flawed comedy/drama.
Read MoreFilm Review: The Touch
Reviewed by Lee Hill The reissue of the rarely seen 1971 film, The Touch, Ingmar Bergman’s first collaboration with an American studio, is part of a retrospective now playing at the British Film Institute until the end of March. Whether seen separately or with other Bergman films (the BFI is also promoting Persona, The Seventh Seal and The Magic Flute), The Touch, despite its problematic history, confirms the director’s reputation…
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